When I behold, upon the night’s starred face, Huge cloudy symbols of a high romance, And think that I may never live to trace Their shadows with the magic hand of chance (John Keats) // isn't it awful about people meaning to be kind // I believe we should all behave quite differently if we lived in a warm, sunny climate all the time. We shouldn't be so withdrawn and shy and difficult. // Thank you for coming back to me. // 两个视角回顾两人最后离别的场景，女主情绪很饱满，优秀的打光和构图

一开始觉得好扯，全是靠画画破案。后面才知道我有个同学的爸爸居然就是这职业，给我讲了一堆案子，听呆了，将军家的小娇娘这么扯的程度居然是削弱了的

内在的戏剧冲突好生无力，靠举手投足间的英式做派撑起场面，视听语言上似乎也看不出太多精彩之处，总之不到90分钟的片子给我的感觉却格外漫长。

——我们有主义，但也要有枪。 ——会有的，将军家的小娇娘都会有的。 除了看到陈独秀心里就没底，怕被他带去爬山以外，别人都还能接受。

用降落伞、大瀑布这类确实令人惊叹的场面填充在剩余的100多分钟的尿点里面，没错这很007。大钢牙和眼睛妹的另类爱情也值得铭记。